The FinTech Hub
Source: The Verge MainFrames is a perfect example of a game with a clever idea that doesn’t overstay its welcome. In the new indie platformer, you play as an adorable floppy disk that traverses computer desktops. The aesthetic is ridiculously charming: the many characters sprinkled throughout the game are so dang cute, and the levels…
Source: The Verge Split Fiction, the new game from It Takes Two developer Hazelight Studios, doesn’t do anything particularly new. The game is a straightforward co-op adventure that strings together disparate sci-fi and fantasy games like links on a chain. If you bundled together the sci-fi and fantasy sections as separate entities, they wouldn’t form…
Source: The Verge Of all of my favorite games, Sayonara Wild Hearts might be the hardest to describe. It’s a rhythm game, but also you ride on a motorcycle and a dragon, wield giant swords while dodging fireballs, and teleport to a retrofuturistic VR world. It’s structured like a pop album, telling a story of…
Source: The Verge In my first few hours with Monster Hunter Wilds, I fought against a gigantic spider in waters that were as red as blood and dodged the onslaught of a twisting dragon amid a desert storm, complete with powerful strikes of lightning terrorizing the ground around me. I went up against sandworms and…
Source: The Verge The fuzz of the cathode-ray tube (CRT) monitor, alongside static grains and flickering scanlines, is a touchstone for ’90s-era nostalgia. It’s shorthand for those halcyon days when technology was predominantly analog and millennial kids spent their summers shoving bulky tapes into VHS players, recording favorite bits of their after-school television shows, and…
Source: The Verge Die in the Dungeon is a new roguelike deckbuilder that pulls some ideas from Slay the Spire, one of my favorite games, but adds some dice-based twists that have me hooked. In Dungeon, your goal is to survive through progressively harder maps of enemies by building a deck — but instead of…
Source: The Verge When S.T.A.L.K.E.R. 2: Heart of Chornobyl was released in November, it was clearly not yet the game its developers, GSC Game World, wanted it to be. Sure, this imagining of the Zone was fabulously moody, a desolate and bleak expanse of bog, scrubland, abandoned warehouses, and pallid vistas. For all the ways…
Source: The Verge Boredom is something of a dying concept. Our phones, filled with games and videos and social feeds, allow us to fill every moment with something, whether we’re on a long flight or in line for 30 seconds waiting for coffee. But the silly and playful While Waiting is a good reminder that…
Source: The Verge It’s odd that a match-3 game got me in my feelings so much that I’m considering adding making games to my profession of covering them. But that’s exactly what happened after my delightful time with Spirit Swap: Lofi Beats to Match-3 To. It’s a mouthful of a name, but damned if the…
Source: The Verge Rift of the NecroDancer, a new music game from the creators of the music roguelike Crypt of the NecroDancer, solves the problem of exploring a big library of tracks with a simple idea: a story mode. In Rift, you have to press buttons in time with notes that appear on lanes in…
